Blog Archives

The Beauty of the Undefined and Indefinite (Oil on canvas, 204.5cm x 166.3cm, Dirk Marwig 2016)

the-beauty-of-the-undefined

This large canvas invites the spectator to enter and to be part of the composition. This is only a photo but when you stand in front of this large painting, you immediately form part of it and enter the world

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Face Off (Oil on canvas, 167.5cm x 106.5cm, Dirk Marwig 2016)

Face Off

Flat as a floor plan: the architecture of strategy mixed with uncertainty in a “one on one” Face Off.

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Pizzazz (Oil on canvas, 95.5cm x 154.2cm, Dirk Marwig 2016)

Pizzazz

It’s the 13th of July and I’m still so very slow working due to my knee injury but today I finally finished this new painting. Highly my kind of “deconstructivism” showing my idea of cool “Pizzazz”ness. This painting is based

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Failed Escape (Oil on canvas, 153.5cm x 122.5cm, Dirk Marwig 2015)

Failed Escape
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SAFE ZONE (Oil on canvas, 35.5cm x 25.7cm, Dirk Marwig 2008)

PROTECTION ZONE-2008
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THE BIG PAINTING (Oil on canvas, 200cm x 155cm, Dirk Marwig 1992)

Big Painting 1993 new Photo (A)

“I used this painting as a “Map”,”Blueprint” or “Study” for all the Objects I constructed in the next 7 years after 1992. It took me 6 months to paint, 8-10 hours a day. I also was pretty poor at the

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Flat and Off #2 (Oil on canvas mounted on plywood, 38cm x 48.5cm, Dirk Marwig 2008)

Flat and Off good

*This was also an experiment from 2008: I never liked medieval art- it was usually flat and basically all elements in the paintings depicting religious or feudal scenes were “off”… but somehow there was ‘something’ that did touch me in

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