Blog Archives

To My Mind… (Oil and enamel on wood panel, 91.3cm x 91.3cm, Dirk Marwig 2016)

A painting of my signature ‘irregular Heptagon’ placed on an easel in the garden.

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Thriving in Exile (Oil on plywood, 52cm x 84cm, Dirk Marwig 2016)

…Based on the “Golden Section”, of course.

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Pizzazz (Oil on canvas, 95.5cm x 154.2cm, Dirk Marwig 2016)

It’s the 13th of July and I’m still so very slow working due to my knee injury but today I finally finished this new painting. Highly my kind of “deconstructivism” showing my idea of cool “Pizzazz”ness. This painting is based

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Composition for the Hard of Hearing (Oil on wood panel, 89cm x 75cm, Dirk Marwig 2016)

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ORIWAKO (Oil on wood panel, 91.5cm x 61cm, Dirk Marwig 2016)

This painting was in my studio for more than a year and yesterday I finished it adding the last few essentials it needed. While I was working on it the name “Oriwako” kept going through my mind. I later looked

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Time and Beauty (Ink and oil on canvas, 91cm x 60.8cm, Dirk Marwig 2016-2021)

Beauty = the Best Humanity has to offer(in all categories). Thank you.

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Mega Over-Pop (Oil on treated cotton mounted on wood panel, 100.8cm x 62cm, Dirk Marwig 2016)

Overpopulation. Way too much.

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Phenomenon (Oil on stretched thick hardened cotton cloth, 91.5cm x 91.5cm, Dirk Marwig 2016)

This one is difficult to explain. It just happened. It freaks me out. Just look at it for a while and you’ll know why. -We always see ‘things’ but are not aware of what exactly we are witnessing until we

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Human Vault (Oil and Bic-pen on canvas, 51cm x 82.5cm, Dirk Marwig 2015)

The “Human Vault”… Dark, Deceptive and Sexy  -I love to work with Bic-pens. It’s fun and the smeary blue ink has a special quality that I like perfect for this drawing/painting.  Again the DNA of the painting is based on

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Apollo (Oil on Japan-paper mounted on wood panel, 72.2cm x 63.6cm, Dirk Marwig 2015)

Mankind has NEVER left planet Earth. It’s a nice dream but physically not possible. “Man on the moon” is a big government HOAX! Painting is it’s own language combining all knowledge (consciously and subconsciously) which the artist has to offer

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