Blog Archives

Club Hell (Archival ink on thick drawing paper, 22.9cm x 30.5cm, Dirk Marwig 2017)

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The Mine (Bic-pen on stretched canvas, 79.5cm x 50.4cm, Dirk Marwig 2017)

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Scavenger (Bic pen on primed and oiled canvas mounted on 8mm board, 46.2cm x 76.5cm, Dirk Marwig 2016)

…it’s how it makes you feel.

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Untitled Drawing- October 2016 (Bic pen on thick drawing paper, 76.2cm x 57cm, Dirk Marwig 2016)

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Untitled Drawing, May 2016 (Archival ink on thick paper, 55.3cm x 68.8cm, Dirk Marwig 2016)

My 2nd drawing during my knee recovery. This one is a birthday present for Margareta!

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Flop World (Archival inks on paper, 22.9cm x 30.5cm, Dirk Marwig 2016)

Confined to the bed and sofa after a terrible “quadriceps tendon rupture” and the following surgery 2 weeks ago (I slipped and fell awkwardly while trying to collect a watering hose on the granite rock in my backyard- in a

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Old but cool work from 1995! ‘Untitled’ 1995 (Oil chalk and watercolour on thick paper, 49.5cm x 67.5cm, Dirk Marwig 1995)

An example from 1995 of how my mind processes geometry. I see this image of one of my earlier works and wonder how I managed this. This one seems so simple but if you try to reconstruct it exactly the

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Genetic Memory of a Violent Death (Archival ink and oil on thick drawing paper, 35.5cm x 27.9cm, Dirk Marwig 2014)

“Everyone has “Genetic Memory” passed on to them by their ancestors. We can embrace or ignore this fact. This ‘automatic drawing’ depicts one of my frightening genetic memories, a nightmarish vision I frequently have. I have to tell myself: “Don’t

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Zomb-dedicated to YU-ICHI (INOUE, Yûichi) (1916 – 1985) (Oil+oil crayon on Japan-Paper, 83cm x 55.3cm,Dirk Marwig 1995, restored in 2012)

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Konflikt (Paper construction on plywood with archival ink and oil, 34cm x 56.5cm, Dirk Marwig 2012)

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