Blog Archives

New Territory (Oil on canvas, 115cm x 115cm, Dirk Marwig 2017)

New Territory
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Rotation of “The Plague of Ignorance” -To make things easier- Dirk Marwig 2017

Rotation Plague of Ignorance

The painting is rotated to the left in this sequence. This “Plague of Ignorance” is perfect no matter how you look at it. Run.

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The Plague of Ignorance (Oil on canvas mounted on plywood, 38.5cm x 60.8cm, Dirk Marwig 2017)

The Plague of Ignorance

One can rotate this painting in all 4 directions, the ‘Plague of Ignorance’ stays seductively and morbidly dominant.

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Zwischenwelt-detail mid part- (Oil on canvas, 100cm x 80cm, Dirk Marwig 1993)

ZWISCHENWELT detail A

Another painting to show ‘genetic memory’ as a recurring theme is “Zwischenwelt”(“In-Between World”) that I did in 1993 while in Spain. Notice the crashing and suffering aircrafts, the evil conspiring gossipers, etc. Mostly all of my earlier work is dedicated

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Shoulda Stayed In Bed (Oil on canvas, 40.5cm x 50.8cm, Dirk Marwig 2017)

Shoulda Stayed In Bed

In Retrospect.

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The Irrelevance of Everything (Oil on cotton cloth mounted on plywood, 36.3cm x 51.6cm, Dirk Marwig 2017)

The Irrelevance of Everything

Time, Space, basically Everything is Irrelevant. Important is that you feel alive, now.

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The Mine (Bic-pen on stretched canvas, 79.5cm x 50.4cm, Dirk Marwig 2017)

The Mine
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Posted in Blog, Drawings

Untitled 2017 (Oil on wood panel, 94.5cm x 76.3cm, Dirk Marwig 2017)

Untitled 2017

Paintings have a language of their own. In this case words simply fail again.

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Dirk Marwig ‘All work from 2016’ (Paintings, Drawings, Objects, Woodcuts and Furniture)

dirk-marwig-work-2016

2016 was a very strange year for me. Nevertheless 31 pieces came into being. All work shown in the sequence of their creation from the Top Left(older) to the Bottom Right(newest). My mind works in a peculiar way, as you

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The Beauty of the Undefined and Indefinite (Oil on canvas, 204.5cm x 166.3cm, Dirk Marwig 2016)

the-beauty-of-the-undefined

This large canvas invites the spectator to enter and to be part of the composition. This is only a photo but when you stand in front of this large painting, you immediately form part of it and enter the world

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