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Dyslexika-Separation-Rejection -side view,looking down- (Plywood, Plexiglass + String construction, 80cm x 58cm x 29cm, Dirk Marwig 2014)

Dyslexia:Seperation: Rejection

New Photo of: Dyslexika-Separation-Rejection -side view,looking down- (Plywood, Plexiglass + String construction, 80cm x 58cm x 29cm, Dirk Marwig 2014) * This strange object depicts the title: Dyslexia-Separation-Rejection.(I wrote “DYSLEXIKA”…) -The story of my life, since I’m dyslexic. But this

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El Kid (Oil on wood panel, 76.2cm x 57.8cm, Dirk Marwig 2015)

El Kid
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Cartography, Organic, Random -Super detail- (Oil on plywood, 94.5cm x 75.7cm, Dirk Marwig 2013)

Cartography detail

I’m showing a super close-up of the lower left overpopulated area close to the sea Of the painting from 2013 “Cartography, Organic, Random”. Originally I wanted to cover the whole painting with over-populated zones but that would have taken the

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Apollo (Oil on Japan-paper mounted on wood panel, 72.2cm x 63.6cm, Dirk Marwig 2015)

Apollo

Mankind has NEVER left planet Earth. It’s a nice dream but physically not possible. “Man on the moon” is a big government HOAX! Painting is it’s own language combining all knowledge (consciously and subconsciously) which the artist has to offer

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Rewind, Right There! (Oil and ink on Japan-paper mounted on plywood, 47.6cm x 42.8cm, Dirk Marwig 2015)

Rewind, Right There!

Subtle yet Powerful, Calculated yet Spontaneous. Elegant and Beautiful! *It’s a very sad thing that I have to “explain” my work(What happened to Culture and Education?)* -I had this piece literally flying around in my studio for 3 years. Every

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The Melancholy of our Timelines (Oil on cotton cloth mounted on plywood, 36cm x 58cm, Dirk Marwig 2015)

The Melancholy of our Timelines

I “undid” the psychological effects of the colour “green”. Can green (which is normally an emotionally positive colour) be the colour of ‘melancholy’? YES. Just look at this painting for a while and you will notice a melancholy sadness.

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Henry Moore on Acid (Cherry wood object, 53.5cm x 47cm x 36.5cm, 15.8 kg, Dirk Marwig 2015)

Henry Moore on Acid

This is just 1 angle of “Henry Moore on Acid”. There are hundreds of them. Since a “trip” doesn’t have a ‘fixed point of view’, this object complies perfectly- many points of view flowing into each other, with only one

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Henry Moore on Acid -12 angles- (Cherry wood object, 53.5cm x 47cm x 36.5cm, 15.8 kg, Dirk Marwig 2015)

Henry Moore on Acid- various

These are only 12 angles… This objects has hundreds of cool angles! It has 3 perfectly balanced “standing points” and can be put on any hard level surface. It weighs 15.8kg. Henry Moore on Acid!

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Alcoholic Conversation (Plywood construction with high pigment lacquer and nylon string, 68.8cm x 74cm x 23cm, Dirk Marwig 2015)

Alcoholic Conversation A B C

This object(viewed in this pic from 3 angles) can be put on the wall or placed on a level surface. An alcoholic counterpoint conversation/composition in A-minor!

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Can’t Hear (Acrylic on canvas, 148cm x 241.5cm, Dirk Marwig 2015)

Can't Hear

I don’t really like to paint very large paintings(for many reasons- ‘space’ being one of them) but for my birthday I ‘treated myself to this one! It was necessary.

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