Thoughts on ART (Sep. 2015)

I do not like to confuse anyone or to simply entertain. The concept of “smart art” does not exist in my realm- I leave that to the ad-agencies who bamboozle the masses in order to maintain the “Status quo” which, as you know did the human race very little good.
This is how my mind works when I ‘do’ what I ‘do’:
My work originates in the subconscious; an idea for a piece comes to me in a fraction of a second,from the stomach. I then browse through my studio looking for a way to express this idea with all the possible means (materials) I have at hand at that moment.
Then I distill the possibilities, calculating what is possible and what is not. If nothing appears to be ‘possible’ I begin to experiment anyway with the first probable option that first came to my mind when the ‘idea’ appeared. I try out various ways to physically ‘bring to life’ this idea. “Just Doing” is part of my process and by “Doing” the idea turns into something much bigger and something much more interesting then I ever could have imagined in the beginning.
Unlike many artists I do not rely on previous “success patterns” and ‘pump out the work’ accordingly in order to sell or to please my clients and/or audience. I test myself all the time, never quite sure of what I’m doing. I accept my (through time) acquired ‘bag of information’ but mostly I trust my basic instincts. If I’m not surprised myself with a result, how can anyone else be?
Art is not a ‘business’ and ‘Time’ is irrelevant. It is the love and dedication to reach a state of clarity and union with what it means to be a human being on this planet, to achieve a greater sense of awareness. This is difficult and a great personal sacrifice many times, so I’m very happy when someone likes what I present to them. That’s my reward.

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Untitled 2010 (Archival ink and oil on Japan-paper, 96cm x 24cm, Dirk Marwig 2010)

Untitled 2010

I just found this photo of “Untitled 2010” in my discarded photo files. Interesting. It was a gift to my brother Jerry Marwig.

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Pieces using cardboard as the main ingredient. (Dirk Marwig from 2012 to 2015)

Pieces using Cardbord

6 pieces using cardboard as the main ingredient.
Clockwise from top left:
1) Fanfarone Testosterone -both sides- (Cardboard construction with plywood inlay and encasing and bloodwood base; colour: oil and high pigment lacquer, 191cm x 83cm x 20cm, Dirk Marwig 2015)
2) Frau Institut Direktor with Hubby aka Schraege Figuren -semi side view- (Cardboard construction with plywood backing and glue, 47.5cm x 50.5cm x 16cm, Dirk Marwig 2014)
3) La Castellana (High pigment lacquer on cardboard mounted on plywood, 70.2cm x 35,2cm, Dirk Marwig 2015)
4) HOME (Cardboard construction on plywood+oil,31cm x 23cm,Dirk Marwig 2012)
5) Untitled ‘August 2015′ (High pigment lacquer on cardboard mounted on plywood, 28cm x 35cm, Dirk Marwig 2015)
6) The Constructivist-study- (Oil on hardened cardboard on plywood, 30.5cm x 43cm, Dirk Marwig 2014)

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Life (High pigment lacquer on cardboard mounted on plywood, 28cm x 35cm, Dirk Marwig 2015)

Untitled (August 2015)
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Human Vault (Oil and Bic-pen on canvas, 51cm x 82.5cm, Dirk Marwig 2015)

Human Vault Female SQ

The “Human Vault”… Dark, Deceptive and Sexy  -I love to work with Bic-pens. It’s fun and the smeary blue ink has a special quality that I like perfect for this drawing/painting.  Again the DNA of the painting is based on the “Golden Section”.

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Suicide Bomb (Oil on plywood, 51.5cm x 51.5cm, Dirk Marwig 2015)

Suicide Bomb

No comment.

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La Castellana (High pigment lacquer on cardboard mounted on plywood, 70.2cm x 35,2cm, Dirk Marwig 2015)

La Castellana

Another memory of Madrid(Spain) where I lived for 16 years. “El Paseo de la Castellana” is the central big multi-lane avenue in Madrid running north-south/south-north(like Park Avenue in New York City) ending(or beginning) at the 2 major train stations Atocha and Chamartin. “La Castellana” depicts a busy intersection (probably close to “Plaza de Colon”)seen from above in the way I see things.

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A BIG THANK YOU!

A big “THANK YOU ” to my 4 collectors who make my life a whole lot easier, much more pleasant and with your support I can continue to create. (you know who you are so I don’t have to mention your names! Besides being ‘anonymous’ has it’s advantages sometimes)
You have “vision”, culture, great taste and most of all you do not rely on the opinions of “others” in the twisted “art world”( wishy-washy curators, gallery owners and half witted critics) when buying my work. You understand the value because you understand the importance of good art in our brutal “philistine” culture/world where my art plays a counter part. Thank you!

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Headdress for the Divine Benevolent -side view- (Wearable plywood object with nylon string and high pigment lacquer, 78cm x 75cm x 82cm, Dirk Marwig 2015)

Headdress 2 copy 3 - Version 2

This is the semi-side back view of “Headdress for the Divine Benevolent.” It’s like Cinderella’s shoe: it will fit only the person to whom it is intended. I made this for my girlfriend for her birthday, only to wear for ceremonies, of course. Visionary.

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Headdress for the Divine Benevolent -5 angles- (Wearable plywood object with nylon string and high pigment lacquer, 78cm x 75cm x 82cm, Dirk Marwig 2015)

Headdress series 2-6

Here are just 5 angles of this cool headdress. There are so many more. To wear it you must be a divine benevolent or at least aspire to be one!

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