Untitled-wall Object- 2016 (Plywood construction with oil and nylon string, 101cm x 101cm x 5,5cm, Dirk Marwig 2016)

Untitled 2016 copy

This is the result of the repetition of the same ‘free-form’ 26 times over. The 1st sequence of 13 being the full colour spectrum connected to the 2nd sequence of ‘the white to medium grey’ spectrum (also 13). After this each new composed ‘unit’ (13 in all) is connected to the next unit with the exact same ‘positioning’ until a full circle is achieved. Now something happens that I cannot explain (yet). My feeling tells me that it’s something interesting.

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Concept of “FOLDED” and showing the “Flatness” of “FOLDED” on my work patio. Dirk Marwig 2016

Flatness

The concept of “FOLDED” was to show the “Glorification of the complete mundane”. The 3D effect is just an ‘effect’ used as a ‘vehicle’ to convey the concept but not as being the concept of the piece in itself. That would be too easy or conventional. Anyone could do this.

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Folded (Oil on plywood, 58cm x 70cm, Dirk Marwig 2016)

Folded

-This Painting/Object is about finding beauty and coolness in something totally mundane and insignificant: the random little piece of math paper, “folded” and “discarded” (enlarged 700% and painted on a flat, thin and shaped plywood board).

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Old but cool work from 1995! ‘Untitled’ 1995 (Oil chalk and watercolour on thick paper, 49.5cm x 67.5cm, Dirk Marwig 1995)

PAPER SCULPTURE SHOW INVITATION - Version 2 copy

An example from 1995 of how my mind processes geometry. I see this image of one of my earlier works and wonder how I managed this. This one seems so simple but if you try to reconstruct it exactly the way it appears, the mind starts to boil! The result transcends simple geometry.
‘Untitled’ 1995 (Oil chalk and watercolour on thick paper, 49.5cm x 67.5cm, Dirk Marwig 1995)

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Reach You With My Mind (Oil on plywood-irregular pentagon shape, 45.5cm x 71.8cm, Dirk Marwig 2016)

Reach You With My Mind A

This painting looks like as if it has been photographed close-up style with a ‘wide angle macro’ lens. But it’s not. This is what the painting actually looks like when photographed from a straight-on position. The irregular pentagon shape is composed out of 2 golden rectangles of different dimensions separated by a square and connected by the longer diagonal(lower right to upper left). This is a little mind game I like to play and to surprise myself with.

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Mediterranean Chic -different angle- (Shaped plywood object with oil, 41cm x 80cm x 25.5cm, Dirk Marwig 2016)

Mediterranean Chic  2nd angle

This was fun to photograph. It has so many cool angles because of the ‘shape’ and ‘bend’ given to the plywood. On top of that the distorted lines with 2 external “flight points” which correspond to the ‘essence’ or flow of the shape. This piece is based on the distillation of “Associations” connected to the ‘Mediterranean’, my way of seeing, of course. Timeless!

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Mediterranean Chic (Shaped plywood object with oil, 41cm x 80cm x 25.5cm, Dirk Marwig 2016)

Mediterranean Chic
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Time and Beauty (Ink and oil on canvas, 91cm x 60.8cm, Dirk Marwig 2016-2021)

Time and Beauty A

Beauty = the Best Humanity has to offer(in all categories). Thank you.

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Mega Over-Pop (Oil on treated cotton mounted on wood panel, 100.8cm x 62cm, Dirk Marwig 2016)

Mega Over-Pop

Overpopulation. Way too much.

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“I Will Always See You” (Chinese ink and gesso on paper, mounted on plywood, 76.8cm x 54.5cm, Dirk Marwig 2016)

I Will Always See You

This photo shows the entire painting: The “outside” edges are perfectly ‘squared’ but the ‘paper part’ is “off” on purpose.

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